BluePrintX

Photography should be about picture-making. That is, after all, why we get into it in the first place (well, most of us). This blog is for photographers, people passionate about making photographs, who want to share ideas and concepts, approaches and attitudes. And yes, there will, from time to time, be gear stuff. Oh, and by the way, while you can download and share this blog, all the material on it is copyrighted. All rights reserved, etc.

Friday, December 02, 2005

Getting out of bed- and staying up late!



The other day I saw a book
done by a contemporary of mine, who had photographed the region in which he now lives. keen to see what he had made of the region, I worked my way through it. There were some lovely images, that paid a real tribute to the region ( I won't tell you which region, because that would make it dead obvious who he is- and he knows me!).
What struck me however, were the number taken in the middle of the day, with a high sun that flattened out the landscape and hid the subtleties peculiar to that particular landscape. There were very few photographs made at each end of the day, when the light is at its most dramatic and sensuous. It was as if he was programmed to go out after breakfast and be back by teatime.
These were cheese sandwich photographs- they did the job, were very well made, but somehow overlooked the mystic qualities of a part of New Zealand that is redolent with history and dominated by one of the most powerful geographical features in the country.
Making photographs in the middle of the day is tough,photographically-speaking, and the light is usually harsh and unforgiving. It reminds me of the story told by the eminent photographic historian, Beaumont Newhall, who maintained that while Wynn Bullock's nudes looked as if he wanted to make love to them, Edward Weston's looked as if he just had! Working through the middle of a summer's day is the Weston approach. All is revealed.
It is at sunset, however, that the mystery begins, at the transition from day into night that the spirits come out. Landscape photographers are like fly fishermen- the best fishing is to be had at sunrise and sunset.
The moral then is to get up early and be out where you want to be before sunrise. At the otthere end of the day, to stay out until after dark
Tip: the best sunset shots come at least 20 mins after the sun has set.
Which brings me to the shot in this post
it was the tail end of the day, at the mouth of the Okuru River in South Westland. Maybe 30 minutes remained in the day and the light was grey and dull behind the clouds. A gap remained however between the horizon and the clouds. if I waited I would have a few minutes and (hopefully) amazing light.
There was a nasty easterly wind bvlowing off the Alps and we were tired, hungry and ready for a fire and a few glasses of Shiraz. It was tempting to say "Bugger It!" and head indoors. We stayed.
And for a magic few moments it was all worth it.

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