The camera looks both ways
Kia ora tatou:
Enough of the gear stuff. I want to share an image with you.
A good friend, Lindsay McLeod (or is that MacLeod), used to tell his students that” the camera looks both ways”. What he meant was that when we make a photograph, it says as much about us as it does about the subject and our feelings towards it.
Often when we photograph, something has moved us to do so. Ostensibly (I’ve been at that thesaurus again), it may have been the weather, the light or even a half-hidden memory from childhood. Or it may be something deeper. And reflecting on our own inner selves may lead to new directions in our photography.
I would like to suggest that one of the best ways to improve our picture-making is to keep this in mind.
Take time to look at the image. Minor White, one of photography’s great teachers, would make his students study an image for at least 3 minutes before he asked them what they thought. The point is, it takes time to understand what you have done and more importantly, why you did it.
When you have looked, ask yourself what attracted you to make that photograph. Was it light, the subject, your feelings, a memory from childhood. Note your thoughts. Better still, write them down.
Then ask yourself what the image tells you about yourself. This is the hard bit.
Money where my mouth is time.
I made this picture late one afternoon last November. I was walking back to the car after finishing a wedding in New Plymouth. I decided to make a few images for myself. As I was walking along the boardwalk I saw a group of unicyclists practicing on the seawall. I asked if I could photograph them. They carried on and I probably made about 20 photographs. This one took place near the end.
It was one of those moments when time, space and intention (the core artistic concerns of my work) all come together. I knew I had captured something significant.
It was only later, and in the months afterwards, that I have come to realize that I had made a photograph of my life as it has been for some time.
The unicyclist balancing on the knife edge of the universe is me.
A moment later he fell off.
Ka kite ano.
3 Comments:
Kia ora Tony,
NZ poet C.K. Stead said something related to this: "...it's no good working on the poem, you've got to work on yourself... You've got to work on yourself and the self will write the poem." My interpretation is that he wasn't saying the technical aspects aren't important; just that they're not sufficient: what's essential is what you feel/see.
I do trust you're not going to fall off your figurative unicycle any time soon :^) Best of luck with the balancing.
Actually I already have. But then, sometimes Life needs to knock you off your bike for you to grow....
I'm learning this, slowly -- that the camera takes a picture of myself as much as it takes a pic of what it's pointing at. I'm learning to take pictures of what I like, pictures that speak to me, rather than trying for a picture that others approve of. I like the way you've expressed it here.
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